{"id":3595,"date":"2021-11-15T19:20:14","date_gmt":"2021-11-15T17:20:14","guid":{"rendered":"https:\/\/nextrealitycontest.de\/winner-2021\/"},"modified":"2022-04-30T19:05:48","modified_gmt":"2022-04-30T17:05:48","slug":"winner-2021","status":"publish","type":"page","link":"https:\/\/nextrealitycontest.de\/en\/winner\/winner-2021\/","title":{"rendered":"Winner 2021"},"content":{"rendered":"

[vc_row][vc_column]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tInteractive Business<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_row_inner][vc_column_inner width=”1\/2″]\t\t
\n\t\t\t\"\" \t\t<\/div>\n\t\t[vc_empty_space height=”60px”][vc_column_text]<\/p>\n

Also nominated<\/h4>\n

TEXTAR virtual compounder challenge
\n<\/strong>BLANX, K\u00f6ln<\/p>\n

Yacht Showroom
\n<\/strong>BLANX, K\u00f6ln[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

ARVUS – Understanding spaces together<\/h2>\n

vrisch + M.O.O.CON, Wien<\/h4>\n

The new spatial planning rules: inclusion, participation, and transparency from day one. Meet ARVUS, a collaborative visual tool created by planners and digital pioneers that facilitates communication and understanding for diverse teams when planning their future shared spaces together. Whether you’re planning a shared office, a park, or any common public area, ARVUS brings you the tools you need to focus on what really matters \u2014creating spaces that inspire people to work, live, and thrive.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tInteractive Entertainment<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

Kusunda<\/h2>\n

NowHere Media, Berlin<\/h4>\n

Co-Producers: INVR.space, Poke Poke Creative, Fasad und ZHdK<\/h4>\n

KUSUNDA is a voice-driven virtual reality experience about what makes a language fall asleep and what it takes to awaken one. Kusunda shaman Lil Bahadur has forgotten his indigenous mother tongue. His granddaughter, Hima, wants to revive it.
\nEvery two weeks a language falls asleep. Most languages at threat belong to indigenous communities such as Kusunda in Nepal. When we lose a language we lose a worldview, making our project relevant and urgent.
\nLil Bahadur, who led a traditional hunter gatherer lifestyle for 40 years, lost his mother tongue when he settled in the village. \u201cWhen my parents died I had no one left to speak my mother tongue with. Slowly the language started fading away,\u201d he says with a sense of resignation.
\nLil\u2019s granddaughter Hima, represents a modern Kusunda identity and is taking on the challenge to revive her mother tongue. \u201cI am proud of my heritage and culture. I\u2019ll do whatever I can to preserve it and I\u2019m confident of succeeding.\u201d[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]\t\t

\n\t\t\t\"\" \t\t<\/div>\n\t\t[vc_empty_space height=”60px”][vc_column_text]<\/p>\n

Also nominated<\/h4>\n

A Place Like No (ASCII VR)
\n<\/strong>Alex Mejda (Game Design BA, HTW Berlin), Berlin<\/p>\n

DelightfulGardenVR
\n<\/strong>videoreality GmbH + TimeLeapVR, Frankfurt am Main[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tYoung Talent<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_row_inner][vc_column_inner width=”1\/2″]\t\t
\n\t\t\t\"\" \t\t<\/div>\n\t\t[vc_empty_space height=”60px”][vc_column_text]<\/p>\n

Also nominated<\/h4>\n

companion<\/strong>
\nLukas Kr\u00f6ninger, Wien<\/p>\n

Happy Moments Of Balance III<\/strong>
\nShelly Alon, Hamburg[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

In Case You Don\u2019t Know What To Play<\/h2>\n

Aaron Schwerdtfeger, Paul Morat (Interaction Design Lab, Fachhochschule Potsdam), Berlin<\/h4>\n

In Case You Don’t Know What To Play is a framework for designing a Virtual Reality application that uses a spatial distortion mechanism to influence the user’s visual perception and ultimately manipulates their sense of time. Spatial orientation allows us to judge distances regarding their temporal component. In particular, in self-motion we can estimate the duration it takes to cover a given distance, since temporal and spatial perception are connected. Distance perception during self-motion is composed of visual, vestibular, and proprioceptive information. Once a discrepancy between this information is present, the brain tends to prefer mainly the visual information. The sensual connection can be broken with the help of Virtual Reality technology and a perceptual conflict can be created.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tBest Innovation<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_column_text]In this year the jury decided to award the Silver Honor to all three nominated projects in the category Best Innovation[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

NOYS VR x Sony Innovation Board – Virtual Showcase<\/h2>\n

NOYS VR UG, Hamburg<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]\t\t

\n\t\t\t\"\" \t\t<\/div>\n\t\t[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″]\t\t
\n\t\t\t\"\" \t\t<\/div>\n\t\t[\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

smartBRIDGE Hamburg: Der digitale Zwilling der K\u00f6hlbrandbr\u00fccke<\/h2>\n

customQuake GmbH, MKP GmbH, WTM Engineers GmbH, IFSB GmbH im Auftrag der Hamburg Port Authority A\u00f6R, Hamburg<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

Wallspace AR – tesa<\/h2>\n

Demodern GmbH, Hamburg<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]\t\t

\n\t\t\t\"\" \t\t<\/div>\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tBest Installation<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_row_inner][vc_column_inner width=”1\/2″]\t\t
\n\t\t\t\"\" \t\t<\/div>\n\t\t[vc_empty_space height=”60px”][vc_column_text]<\/p>\n

Also nominated<\/h4>\n

Diving Theatre<\/strong>
\nVR Coaster GmbH & Co KG, Kaiserslautern[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

SymArea<\/h2>\n

Phoenix Reality GmbH, Hamburg<\/h4>\n

SymArea is a modular display area for mixed reality multi-user experiences.<\/p>\n

It networks MR glasses with other sensory stimulating technologies such as projection mapping, lighting technology, surround sound, haptic buttons as well as odor simulators to create a symphony of the senses.<\/p>\n

SymArea consists of modular wall elements that, when assembled, create a room. The technology is built into these walls. The elements can be freely combined with each other using plug-in wall systems.<\/p>\n

On the one hand, SymArea greatly increases immersion.
\nOn the other hand, the combination of technologies opens up innovative possibilities for designing experiences. For example, holograms can be pushed into the projection plane in order to use them as an item inventory. Or holograms can be illuminated in color by light modules. Or, or, or…<\/p>\n

SymArea can be used in many ways. First we focus on the location based entertainment sector with our live adventure project Paranoid.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\tCommunity Award<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

A Place Like No (ASCII VR)<\/h2>\n

Alex Mejda (Game Design BA, HTW Berlin), Berlin<\/h4>\n

A Place Like No is a VR adventure prototype for Oculus Quest, whose world consists entirely of ASCII characters. Inspiration for this bachelor thesis in game design were adventures of the early 80s (e.g. Rogue), which had to represent their world with characters due to a lack of graphical possibilities. A Place Like No makes a virtue out of necessity and uses the possibilities of VR to let players explore such a world up close. With its game mechanics based on signs and words, A Place Like No takes players into a mysterious world full of danger and riddles, where words change the world and everything seems to be charged with meaning. Playable on Oculus Quest (Android, mobile) and on popular Windows-based VR platforms (HTC Vive, Valve Index, Oculus Rift, Windows Mixed Reality). The prototype has a playtime of 15-30 minutes and is representative of a vision of a full ASCII VR adventure game.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]\t\t

\n\t\t\t\"\" \t\t<\/div>\n\t\t[vc_empty_space height=”60px”][vc_column_text]<\/p>\n

Also nominated<\/h4>\n

AR-STORY Schmetterlinge (Artenschutz-Mission f\u00fcr FUTURE LEAF)<\/strong>
\npimento formate UG, Berlin<\/p>\n

smartBRIDGE Hamburg: Der digitale Zwilling der K\u00f6hlbrandbr\u00fccke<\/strong>
\ncustomQuake GmbH, MKP GmbH, WTM Engineers GmbH, IFSB GmbH im Auftrag der Hamburg Port Authority A\u00f6R, Hamburg<\/p>\n

Tower of Doom<\/strong>
\nFinn Lichtenberg, Bremen[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”60px”]\t\t

\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t360\u00b0 Movie<\/span><\/span><\/span>\n\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t
<\/div>\n\t\t[vc_column_text]This year, the jury decided not to nominate and award any project in the 360\u00b0 Movie category.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_empty_space height=”60px”][vc_column_text] Also nominated TEXTAR virtual compounder challenge BLANX, K\u00f6ln Yacht Showroom BLANX, K\u00f6ln[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text] ARVUS – Understanding spaces together vrisch + M.O.O.CON, Wien The new spatial planning rules: inclusion, participation, and transparency from day one. Meet ARVUS, a collaborative visual tool created by planners and digital pioneers that […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":3678,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"yoast_head":"\nWinner 2021 - nextReality.Contest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nextrealitycontest.de\/en\/winner\/winner-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Winner 2021 - nextReality.Contest\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_empty_space height=”60px”][vc_column_text] Also nominated TEXTAR virtual compounder challenge BLANX, K\u00f6ln Yacht Showroom BLANX, K\u00f6ln[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text] ARVUS – Understanding spaces together vrisch + M.O.O.CON, Wien The new spatial planning rules: inclusion, participation, and transparency from day one. 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